President Annette Sanger awards pianist, Charles Richard-Hamelin the $20,000 first prize in the Career Development Award competition in Walter Hall, April 26.
Cellist Stéphane Tétreault, was
awarded $10,000 as second prize winner.
Shown here with collaboratist Marie-Eve Scarfone.
Pianist Pierre-André Doucet received third prize of $5,000
The Career Development Award is presented every three years to outstanding, young Canadian musicians already engaged in a professional performing career. This year marks the 10th presentation of the award and the prize money was increased and a live competition added.
“One of the very few truly superb recitalists in front of the public today, mezzo Stotijn offers a beautiful voice with consummate musical intelligence ….”
“Through it all, Julius Drake was a rock for the singer. ..I am just so happy Drake comes to Toronto frequently – it’s always a pleasure to hear him play.”
President Annette Sanger discusses the Jens Lindemann concert
Although I am President of the WMCT, I assure you that the following is written from the bottom of my heart and not simply to promote the WMCT. I feel strongly that we should have a record of this unusual and quite marvellous concert in the 117th season of Music in theAfternoon.
In all honesty, I hadn’t really known exactly what to expect, though Simon Fryer, our superb Artistic Director, assured us that it would be a wonderful event, if a little different from the usual WMCT concert fare. However, with a concert not just on trumpet but accompanied by drum set and even electric guitar, we certainly seemed to be testing the waters, to put it mildly. Moreover, when I learned of the musical program I didn’t see a lot of tried-and-true “classical” composers in the mix – other than two very short pieces by J.S. Bach and Debussy.
It turned out to be absolutely mesmerizing from start to finish! Not only a brilliant musician, Jens is a consummate performer who draws in his audience from the moment he walks onto the stage. He was warm and very funny in his introductions (for example, noting that this was the first time in 117 years a drum set had graced the WMCT concert stage). His pacing and timing – in music and speech – was just perfect, not to mention his landing into the splits on the climactic last note of the piece before intermission, Suite Hellenique by Pedro Iturralde, with Jens arrangements.
In fact, this concert was full of surprises: his initial entry from the back of the hall as he played La fille aux cheveux delin; positioning the Earl Haig Secondary School students around the hall as additional “sound” with long, brightly coloured whirly tubes in Gilliland’s piece; and the very touching final piece Prayer by Kristian Alexandrov that segued into Louis Armstrong’s signature song What a Wonderful World, which I know brought tears to the eyes of a few WMCT members.
Most importantly, this concert was a resounding success for its superb musicianship and delightful choice of repertoire. Jens’s collaborators were first class, and all worked together as a tightly-knit team smoothly transitioning in and out of composed and improvised musical zones. In particular, I was impressed by the young (41 seems young to me!) pianist/composer/percussionist Kristian Alexandrov who was featured in nearly every piece.
All in all it was a musically joyous occasion led by the stunning musicianship and personality of Jens Lindemann. The title of the concert, Brassfire, was certainly no exaggeration!
The WMCT was truly saddened to hear of the passing of Professor James Stewart, an avid lover of classical music and generous donor. We were indeed fortunate to have our fundraiser at his home, Integral House, last May. It was a very unusual and spectacular venue, and a wonderful concert in support of a significant event in the history of the club – the 10th presentation of the Career Development Award in 2015. Our sincere condolences to James Stewart’s family and friends.
Susan Corrigan has been WMCT arts administrator for nearly 20 years. She was the third part-time only administrator in this still mainly volunteer-run organization.
Susan and John Caldwell sell CDs in Koerner Hall
Hired in September 1995 by past president Betty Gray, Susan became the organization’s voice and face – on the telephone and through her presence at concerts and events – as well as the main cog in the large and ever-turning WMCT wheel.
She witnessed and was part of many changes, developments, and expansions, especially with the Foundation’s inception in 2000. During the last 19 years, volunteers, boards, and presidents have come and gone and Susan has been the mainstay and linchpin. Her knowledge of the people, events, and history is unparalleled. But in addition she’s patient, kind, and extremely wise; we all turn to Susan for advice on both small and large issues.
As current president I have relied on Susan for so much, but didn’t imagine the day when she would no longer be the arts administrator. Imagine my shock (and dismay) when she told me last March that she would like to retire at the end of June! Thankfully with three months’ notice, as well as Susan’s willingness to continue helping out in the office occasionally on an ad-hoc basis, the transition to the new arts administrator, Neva Peykova, has been remarkably smooth.
And, fortunately, Susan will not be leaving us altogether – she has agreed to be an honorary adviser as well as a Foundationboard member. Members will continue to see Susan at concerts, not in her customary role and place but instead she will no doubt look very relaxed, for the first time she’ll be able to enjoy the music without distractions.
On behalf of all the WMCT members, volunteers, board members, and presidents active during Susan’s years as arts administrator, I extend our most sincere and grateful thanks for her commitment, outstanding work, and for always steering us in the right direction. Susan will certainly be remembered for her crucial role in the ongoing success of this unique and hallowed organization.
They flex wood into curving shapes and fill that space with glorious sound.
Sitting in the performance space of Integral House as soprano Shannon Mercer sings and Steven Philcox collaborates, you know that this is beauty.
Oak fins, planes of concrete and 180 degrees of glass look out to the blue sky and the Don Valley where spring has yet to arrive.
And then there is the music.
Shannon Mercer, soprano, and Steven Philcox, piano, bring enchantment with a program she describes as: “a combination of serious and fun”. She sings in five languages. Mozart’s German moves into Villa-Lobos’ Spanish and then to Welsh Folk Songs and American parody – pickles, hot dogs and “meow”. The acoustics are fabulous, holding and releasing the sound – Shannon’s animated expression, clear diction, and soaring melodies supported by Steven’s elegant piano playing. The architecture and the music together create great art.
This Sunday afternoon concert is in Integral House, one of the most stunning modern residences in Toronto, home of James Stewart, mathematician, professor and classical violinist. It is named for the mathematical integral symbol; Stewart was enormously successful writing calculus textbooks. Completed in 2009, it is an architectural feat that combines home and performance space.
Integral House owner James Stewart, WMCT President Annette Sanger, pianist Steven Philcox, soprano Shannon Mercer, artists’ sponsors Hélène and Peter Hunt
Eighty “lucky souls” are here to support the 10th presentation of the Career Development Award, the Women’s Musical Club of Toronto’s major prize, supporting young Canadian classical musicians embarking on their professional careers. Financial returns today provide funding for a live competition in Toronto a year from now when three young Canadian musicians will perform in Walter Hall, U of T, for cash awards and a Music in the Afternoon recital. And for today, the audience enjoys the great beauty, while playing a role in ensuring the beauty continues.
Students from Unionville High School music program with Yegor Dyachkov and Jean Saulnier after the March 20 concert. Teacher Bob Leonard (far right) has been bringing students to Music in the Afternoon concerts for 14 years as part of the WMCT Student Outreach programme.
Miss Florence Taylor, piano , and Miss Hilda Boulton, violin, performed at the first WMCT concert Jan. 23, 1899. Leontyne Price entertained in 1957. And big hair and bare footed, Measha Bruggergosman, soprano, sang Jules Massenet’s Aria: Rêve infini! Divine extase (from “La Vierge”) at Walter Hall on Nov. 25, 2004.
All information available in the History section of the WMCT website. History of Concerts and Performers, began life as a book, moved into the digital age and now is available on the WMCT website as an indexed and searchable web-based file. Created by Hanna and Fred Feuerriegel it lists performers, repertoires and concerts – right up to the 115th grand concert in Koerner Hall last May 2. There’s an Index of Performers so you can find who played when, but there’s also an Index of Performed Works where Johann Sebastian Bach pretty much has two whole pages all to himself.
Want to know when Marian Anderson performed? That was 1937, the 39th season, when concerts were held in Eaton Auditorium (corner of Yonge and College). How about Sir Ernest MacMillan? That was 1930 when he joined Healey Willan and the Conservatory String Quartette and Willan’s Sonata No. 1 in E minor for violin and piano was on the programme.
The files are rich with names and music underlining once again the WMCT’s commitment to presenting Canadian and International talent to Toronto audiences.
