The WMCT was truly saddened to hear of the passing of Professor James Stewart, an avid lover of classical music and generous donor. We were indeed fortunate to have our fundraiser at his home, Integral House, last May. It was a very unusual and spectacular venue, and a wonderful concert in support of a significant event in the history of the club – the 10th presentation of the Career Development Award in 2015. Our sincere condolences to James Stewart’s family and friends.
Susan Corrigan has been WMCT arts administrator for nearly 20 years. She was the third part-time only administrator in this still mainly volunteer-run organization.
Susan and John Caldwell sell CDs in Koerner Hall
Hired in September 1995 by past president Betty Gray, Susan became the organization’s voice and face – on the telephone and through her presence at concerts and events – as well as the main cog in the large and ever-turning WMCT wheel.
She witnessed and was part of many changes, developments, and expansions, especially with the Foundation’s inception in 2000. During the last 19 years, volunteers, boards, and presidents have come and gone and Susan has been the mainstay and linchpin. Her knowledge of the people, events, and history is unparalleled. But in addition she’s patient, kind, and extremely wise; we all turn to Susan for advice on both small and large issues.
As current president I have relied on Susan for so much, but didn’t imagine the day when she would no longer be the arts administrator. Imagine my shock (and dismay) when she told me last March that she would like to retire at the end of June! Thankfully with three months’ notice, as well as Susan’s willingness to continue helping out in the office occasionally on an ad-hoc basis, the transition to the new arts administrator, Neva Peykova, has been remarkably smooth.
And, fortunately, Susan will not be leaving us altogether – she has agreed to be an honorary adviser as well as a Foundationboard member. Members will continue to see Susan at concerts, not in her customary role and place but instead she will no doubt look very relaxed, for the first time she’ll be able to enjoy the music without distractions.
On behalf of all the WMCT members, volunteers, board members, and presidents active during Susan’s years as arts administrator, I extend our most sincere and grateful thanks for her commitment, outstanding work, and for always steering us in the right direction. Susan will certainly be remembered for her crucial role in the ongoing success of this unique and hallowed organization.
They flex wood into curving shapes and fill that space with glorious sound.
Sitting in the performance space of Integral House as soprano Shannon Mercer sings and Steven Philcox collaborates, you know that this is beauty.
Oak fins, planes of concrete and 180 degrees of glass look out to the blue sky and the Don Valley where spring has yet to arrive.
And then there is the music.
Shannon Mercer, soprano, and Steven Philcox, piano, bring enchantment with a program she describes as: “a combination of serious and fun”. She sings in five languages. Mozart’s German moves into Villa-Lobos’ Spanish and then to Welsh Folk Songs and American parody – pickles, hot dogs and “meow”. The acoustics are fabulous, holding and releasing the sound – Shannon’s animated expression, clear diction, and soaring melodies supported by Steven’s elegant piano playing. The architecture and the music together create great art.
This Sunday afternoon concert is in Integral House, one of the most stunning modern residences in Toronto, home of James Stewart, mathematician, professor and classical violinist. It is named for the mathematical integral symbol; Stewart was enormously successful writing calculus textbooks. Completed in 2009, it is an architectural feat that combines home and performance space.
Integral House owner James Stewart, WMCT President Annette Sanger, pianist Steven Philcox, soprano Shannon Mercer, artists’ sponsors Hélène and Peter Hunt
Eighty “lucky souls” are here to support the 10th presentation of the Career Development Award, the Women’s Musical Club of Toronto’s major prize, supporting young Canadian classical musicians embarking on their professional careers. Financial returns today provide funding for a live competition in Toronto a year from now when three young Canadian musicians will perform in Walter Hall, U of T, for cash awards and a Music in the Afternoon recital. And for today, the audience enjoys the great beauty, while playing a role in ensuring the beauty continues.
Miss Florence Taylor, piano , and Miss Hilda Boulton, violin, performed at the first WMCT concert Jan. 23, 1899. Leontyne Price entertained in 1957. And big hair and bare footed, Measha Bruggergosman, soprano, sang Jules Massenet’s Aria: Rêve infini! Divine extase (from “La Vierge”) at Walter Hall on Nov. 25, 2004.
All information available in the History section of the WMCT website. History of Concerts and Performers, began life as a book, moved into the digital age and now is available on the WMCT website as an indexed and searchable web-based file. Created by Hanna and Fred Feuerriegel it lists performers, repertoires and concerts – right up to the 115th grand concert in Koerner Hall last May 2. There’s an Index of Performers so you can find who played when, but there’s also an Index of Performed Works where Johann Sebastian Bach pretty much has two whole pages all to himself.
Want to know when Marian Anderson performed? That was 1937, the 39th season, when concerts were held in Eaton Auditorium (corner of Yonge and College). How about Sir Ernest MacMillan? That was 1930 when he joined Healey Willan and the Conservatory String Quartette and Willan’s Sonata No. 1 in E minor for violin and piano was on the programme.
The files are rich with names and music underlining once again the WMCT’s commitment to presenting Canadian and International talent to Toronto audiences.
