Charles Richard-Hamelin’s new Chopin CD with Kent Nagano gets UK radio play

A few months after receiving the 10th WMCT Career Development Award, Charles was the silver medalist and winner of the Krystian Zimerman award for the best sonata, at the International Chopin Piano Competition in 2015. He has just issued a CD of Chopin concertos, with Kent Nagano and the OSM.

The CD received immediate attention in the UK. Classic FM, the most important classical radio station in London, has chosen it as its Album of the week! Starting April 15, tracks from the album will be played every day on the station which has 5.3 million listeners tuning in every week. 

From the April 2019 review by Alex Baran in Wholenote Magazine:

“Charles Richard-Hamelin’s recent recording Chopin: Concertos Nos. 1 & 2 (Analekta, AN 2 9146) is an exhilarating encounter with these two items of standard repertoire. There is a freshness in this performance that owes everything to its collaborators. Kent Nagano and the OSM are deeply aware of how much Chopin has vested in the piano’s role. Their ability to morph into something purely ethereal for the slow movement of Concerto No.2 is magical. The balance and unity across the ensemble, in this and similar passages, support the piano exquisitely. So much of the piano part in this movement is in simple octaves, albeit often very ornamented and fast. Richard-Hamelin performs it with absolute fluidity, as if it were an extended keyboard recitative. The time signature seems to dissolve, leaving only a hint of anything resembling a beat as the soloist and orchestra flow toward some distant ending.

The essence of dance that is inherent in Chopin’s writing saves the pianist from a conflictual role with the orchestra. The two are instead a pair of dancers elevating the solo instrument above the ensemble…. Hamelin and Nagano have delivered such a transcendent experience that [any] criticism seems somehow lost if not irrelevant in the overwhelming beauty of this performance.”

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“Neither rain, nor snow, nor sleet, nor hail shall keep these courageous couriers…”

Tomorrow is concert day, and that means program booklets, the banner, and lots more. It’s also Launch Day for the 122nd Season, 2019-2020, and that means brochures, subscription forms, and lots more. Diane Martello, Jerri Merritt Jones, and Julia show they have the right stuff!

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News from Vivian Fung, WMCT 2017 commissioned composer

Vivian sends her January 2019 Newsletter:

Happy New Year!  2018 was a busy year, with the premiere of my Earworms for orchestra, Shifting Landscapes for piano quartet for Ensemble Made in Canada’s Mosaique Project, and The Ice Is Talking for ice blocks and electronics commissioned by the Banff Centre. I’m also proud to have written on Motherhood and the Creative Process (According to Five Canadian Composers) which appeared in the blog Music on Main. This coming year will be as busy as the last, with a few important premieres this winter and spring, and also a trip to Cambodia this coming February to research music for a potential opera.   Read More


Vivian Fung – Bounce, premièred by James Sommerville, horn, Scott St. John, violin, and Peter Longworth, piano, on November 24, 2016.

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Canada Council Awards for Blake Pouliot

Blake Pouliot, 2018 WMCT Career Development Award winner, has been awarded the Canada Council’s Virginia Parker Prize.  This $25,000 Prize is awarded to a musician, under the age of 32 who demonstrates outstanding talent, musicianship and artistic excellence and who makes a valuable contribution to artistic life in Canada and internationally.  

Several WMCT CDA winners have been awarded this prize in earlier years: Shannon Mercer (2006), James Ehnes (1997), and Karina Gauvin (1995).

In 2015, Blake was given the use for three years of the 1729 Guarneri del Gesu violin from the Canada Council Musical Instrument Bank.  This loan has now been renewed until 2021.

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Career Development Award Winners become Mentors

The Toronto Summer Music Academy has announced its program for 2019. Two winners of the WMCT CDA will be mentors in its Chamber Music Institute:  Yegor Dyachkov (cello, 2000) and Charles Richard-Hamelin (piano, 2015).  They will coach ensembles and also perform with their students in reGENERATION concerts.

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Operalia: another first prize for Emily D’Angelo

“Emily D’Angelo, winner of the 2016 Met Auditions at the incredibly young age of 21, is currently a member of the Lindemann Young Artist Program there. Tonight, she virtually cleaned up by winning four prizes – First Prize, Birgit Nilsson Prize, Zarzuela Prize, and the Rolex Audience Prize.  For the finals, she sang “Dopo notte” from Handel’s Ariodante with stunning fioritura.  She also sang a brilliantly idiomatic zarzuela.  Fellow mezzo Rihab Chaieb was the Third Prize Winner, combining rich vocalism with alluring stage presence in “Mon coeur s’ouvre a ta voix” from Saint-Saens’ Samson et Dalila. “

From Joseph So’s report from Lisbon on the latest success of the winner of the WMCT 2016 Centennial Scholarship.  Read the full report.

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WMCT Foundation supports Frances Armstrong, pianist, in the Toronto Summer Music Academy

The Toronto Summer Music Academy is a summer training programs for chamber musicians and singers 18-35 years old who are on the verge of a professional performance career, with tuition paid by sponsors.

Frances Armstrong began her piano studies at age ten in Vancouver, BC, and discovered her love of working with singers when she was a teenager. In April 2017, she graduated with distinction with her Bachelor’s Degree in Solo Piano Performance from the University of Victoria, where she studied with Bruce Vogt. Throughout her university studies, she received scholarships to study a broad range of repertoire at intensive programs such as the Vancouver International Song Institute, Orford Summer Music Academy, Franz Schubert Institute, Stratford Vocal Academy, Tapestry Opera’s Songbook, and Opera NUOVA.  In August 2017, Frances made her debut as music director in Muskoka Summer Theatre Festival’s 2017 production of La Bohème. She is now in her first year of a Master’s Degree in Collaborative Piano Performance at the University of Toronto, where she studies with Helen Becqué and Steven Philcox.

Frances will perform in the Toronto Summer Music Festival at a public master class with Christoph Prégardien on July 19, 10-12 am, and in two reGeneration concerts on Saturday July 21, at 1 pm and 4 pm, all in Walter Hall.

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In Memoriam: Peter Longworth

Pianist and teach Peter Longworth has died at the early age of 54. Peter graced the WMCT stage five times, beginning with the Duke Piano Trio in the 102nd season, and most recently in 2016 during the 119th season, with James Sommerville, horn, and Scott St. John, violin.

John Terauds and Norman Lebrecht have written heartfelt tributes to his contributions to Toronto musical life.

Further appreciations by colleagues, students and friends at Ludwig van Toronto.

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